Call for Submissions:
Special Edition:The Future of Digital Methods for Complex Datasets
IJHAC: A Journal of Digital Humanities (Formerly International Journal of Humanities and Arts Computing)
Abstracts Due: April 15, 2015
Full Essays [or Articles] Due: August 1, 2015
Submit Abstracts electronically via .doc, .txt or .pdf to:
Jennifer Guiliano email@example.com
noun: methodology; plural noun: methodologies
1. a system of methods used in a particular area of study or activity.
Forty years on from the advent of digital humanities computing, there is a flood of casestudy work that explores specific instances of computational methods (e.g. close and distant reading via textual analysis, visualization methods for social networks, etc) being developed and then utilized within the digital humanities. Yet, despite this crosspollination of methodology to the humanities, little has been done to discuss methodology outside of the projectbased context in either the contemporary or future contexts. We know the specific results of particular methods within a given project, but much less about how those processes and workflows would function outside of that singular dataset or specific area of study. Several questions arising from current practice remain unanswered: Can digital methods fully realize the promise of humanities and artsdriven inquiry when confronted with complex datasets? Is digital methodology in conflict with efforts to conduct micro or local level analyses as it encourages the use of “Big Data” and other largescale longue duréetype analyses? Does digital methodology offer its own problematic system of assumptions? What grounds have humanists ceded to scientists?
What impact does this have on the tools created and the future of digital methodology? How should we train the next generation of scholars to deal with complex cultural records, and to interrogate and argue for tools suitable for humanities inquiry? This special edition of IJHAC: A Journal of the Digital Humanities (formerly the International Journal of Arts and Humanities Computing) seeks submissions from scholars who explore what the future of digital methodology will be ten, fifteen, twenty or even fifty years in the future.
We seek contributions that might address the following:
- In an environment where resources for humanities education are reduced, how might the decline of humanistic and artistic disciplines challenge the future of digital methods?
- Is digital methodology for the humanities & arts something distinct from data science or other computational methods? Or alternately, has the underlying reliance on “data” forged a common methodology across previously distinct disciplines?
- What might critical theoretical perspectives (e.g., feminist, postcolonial, etc) offer to digital methodology?
- What problems might scholars need to account for in their digital methods if we anticipate a future where copyright, international law, and publishing systems become more restrictive?
- How might conflicts between or syntheses of analog and digital methodologies lead to a richer system of approaches?
- What might nonwestern systems of digital methodology bring to the future of the Digital Humanities?
- How might digital techniques and approaches from other disciplines impact the future of Digital Humanities?
- How might digital methodologies, digital assumptions, and modes of thinking destabilize fundamental humanistic and artistic scholarly assumptions?
The Future of Digital Methods for Complex Datasets invites applications from faculty, staff, graduate and undergraduate students, and staff from cultural heritage institutions, as well as the general public with a serious interest in digital humanities and/or arts methodology regardless of rank, position, or affiliation. Collaboratively authored submissions, submissions from minority applicants, and those located outside the US and Canada are especially welcomed.
Abstracts will be reviewed by the special edition coeditors in conjunction with IJHAC editors. Authors of selected abstracts will be invited to submit full manuscripts by 1 August 2015 with review of manuscripts taking place in August and September. The special edition will be published, in print and online, in 2016. IJHAC is published by Edinburgh University Press.
Contributions to this special edition should take the form of critical essays, varying in length from 2,000–6,000 words inclusive of endnotes. Under the guidelines of IJHAC, authors may adopt the reference style that is normal in their discipline, with one exception: all references will be endnotes and will contain contain compete bibliographic information. The editorial team will consult with authors of selected abstracts about the word count of their contributions. This special edition will be available in English and all materials should be submitted in English; however, authors are encouraged to make available nonEnglish versions of their materials under the preprint Green Open Access rules noted below.
Questions regarding this CFP may be directed to Jennifer Guiliano at firstname.lastname@example.org or Mia Ridge at Mia.Ridge@open.ac.uk. Dr. Guiliano is Assistant Professor of History at the Indiana UniversityPurdue University Indianapolis and codirector of the Humanities Intensive Learning & Teaching Institute, a USbased digital humanities training organization. Mia Ridge is a CENDARI Visiting Research Fellow at Trinity College Dublin, Ireland (2014) and has had residencies at the Powerhouse Museum (Sydney, 2012) and the CooperHewitt Design Museum (New York, 2012).
IJHAC is published on a Green Open Access basis, whereby authors are allowed to deposit a prepublication version of their contribution on their personal or departmental web page and in their institutional repository. Authors are also permitted to deposit a prepublication version of their contribution in a noncommercial subject repository one year after publication in print. Questions regarding this policy may be directed to: Laura Danielson, Managing Editor, at email@example.com.