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MLA 2021: "Breaking the Fourth Wall: Experimental Theatre from Six Characters to Today"

Image of cast from Max Reinhardt's 1924 production of Six Characters

The Pirandello Society of America is excited to annouce the call for abstract submissions for our sponsored panel at the next MLA Convention, to be held in Toronto (January 2021). 

 

Breaking the Fourth Wall: Experimental Theatre from Six Characters to Today

 

2021 MLA Convention, Toronto

 

In recognition of the 100-year anniversary of the first performance of Luigi Pirandello’s landmark 1921 play, Six Characters in Search of an Author, this guaranteed panel will consider the role that experimental theatre played during the years of the historical avant-garde and the broader implications of that experimentation across the 20th century and today. 

 

Luigi Pirandello’s theatrical innovations were important for the modernist transition away from naturalist and realist conventions of a “fourth wall” constructed to enclose a discrete world on the stage. He engaged with numerous avant-garde figures who were active in that shift, and he influenced generations to follow. Pirandello’s attempt with Six Characters to break that fourth wall and experiment with meta- and absurdist theatre was met with incomprehension and outrage at its first run: the audience disrupted the performance in Rome with shouts of “Madhouse!” Yet, only a year later the play had its premiere on Broadway and within a few years it was met with high esteem in Europe and America, an esteem that has continued to this day. The works of Bertolt Brecht, Thornton Wilder, and Samuel Beckett would soon follow, and the norms of theatre in the West were forever changed by the mid-20th century. 

 

We seek proposals that consider metatheatre, absurdist theatre, and other forms of experimental performance (dance, performance art, etc.) that are in conversation with the historical avant-garde figures who effectively broke down the fourth wall. In light of Six Characters’ centennial and its foundational place in the history of metatheatre, we are particularly interested in proposals that consider Pirandello and this seminal play’s role in opening a new space for representation between the audience and the stage. 

 

Abstracts of ~300 words and short bios should be sent to Julianne VanWagenen (vanwagen@umich.edu) and Michael Subialka (msubialka@ucdavis.edu) by March 20, 2020. Any questions about potential proposals can be sent to the same contacts.

 

This is a guaranteed panel for the 2021 MLA Convention in Toronto (January 7-10, 2021).

 

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