Police work has become increasingly difficult for officers working in Black communities. As media continues to highlight instances of police abuse that have contributed to the rising tensions and poor relationship between the Black community and local police departments, it is important that we understand and appreciate the dialogue and public understanding of what is happening in this community.
Police have had a long history of militarized practice which has shown itself primarily on the poor and ethnic minorities in this country, going as far back as the antebellum era. As we look throughout more recent history, urban communities have become more vocal (or more attention is being paid to the cries of the communities) about its distaste for police abuse, which has shifted public attitudes and perceptions of police efforts. In looking at the voices of some of the Black community's most respected artists and figures, we gain some insight into some of the most pressing issues weighing in on the community today in terms of police relationships. Artists like Jay-Z, T.I., and Meek Mill have become more outspoken about their disapproval of law enforcement's aggressive methods of community protection which seem to be more suppressive than supportive with this community particularly.
In the presentation provided in class, our implicit bias was explored (Harvard implicit bias survey presented), and looked at how this level of prejudice has effected policing in general. Due to a skewed experience against youth of color, we looked at how Hip Hop's artists begin to channel creative content toward highlighting some of the community upset regarding police abusive behavior.
Given how Hip Hop has been a major contributor in how Black/Latinx/Minority youth have expressed their distrust and frustrations with the negative aspects of policing (e.g. Abuse of power, isolation of specific communities in treatment, frequent acquittals when charged with forms of malfeasance), what are some of the ways we can look at Hip Hop (and other forms of minority youth expression) to inform our understanding of not only the issues being presented, but also the methods in which the expression are exhibited? For example, in terms of how "Aggressive" or "Angry" artists appear to be in performing their material, how can we promote the emotional presence in youth expression, even in cases where it appears controversial?