technoSpheres: FutureS of Thinking
Participants in the 2006 Seminar will explore new ways of thinking about and with technology. The Seminar will include paired conversations between cutting edge technological innovators and experimental humanists, artists and social scientists, around the many issues that engage the human and the technological. The Seminar will also include demonstrations of new technological devices, their applications and scholarly practices. Participants will have opportunities to engage with new digital applications in the context of small-group workshops, large-group social networking exercises and art/technology installations.
For more information, visit the Seminar in Experimental Critical Theory website at UCHRI.
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Biography
Michael Naimark is a media artist and researcher with over 25 years of experience investigating "place representation." He has worked extensively with field cinematography, interactive systems, and immersive projection. He was instrumental in the founding of several world-renown research labs and his art projects exhibit internationally. Naimark was on the original design team for the MIT Media Laboratory in 1980 and was a founding member of the Atari Research Lab (1982), the Apple Multimedia Lab (1987), and Lucasfilm Interactive (now LucasArts, 1989). He joined Interval Research Corporation, a long-term lab funded by Paul Allen, as it opened in 1992, and worked an additional year after it closed in 2000 on his webcam spinoff venture, Kundi.com. Several patents have been granted for his work. Naimark's art projects are in the permanent collections of the American Museum of the Moving Image in New York, the Exploratorium in San Francisco, and the ZKM | Center for Arts and Media in Karlsruhe, Germany. His 3D interactive installation "Be Now Here," produced by Interval with the cooperation of the UNESCO World Heritage Centre, toured in the ZKM's "Future Cinema" exhibition in 2002 and 2003.
Tara McPherson, USC, Editor, VECTORS, Journal of Culture and Technology in a Dynamic Vernacular http://www.vectorsjournal.org/
Tara McPherson is an Associate Professor of Gender Studies and Critical Studies in USC’s School of Cinema-TV, where she teaches courses in television, new media, and contemporary popular culture. Before arriving at USC, Dr. McPherson taught film and media studies at MIT. Her writing has appeared in numerous journals, including Camera Obscura, The Velvet Light Trap, Discourse, and Screen, and in edited anthologies such as Race and Cyberspace, Virtual Publics, The Visual Culture Reader 2.0, and Basketball Jones. Her award-winning Reconstructing Dixie: Race, Place and Femininity in the Deep South was recently published by Duke UP (2003), and she is co-editor of the anthology Hop on Pop: The Politics and Pleasures of Popular Culture. She is currently editing or co-editing two anthologies on new technology (one for the MacArthur Foundation), working on a book manuscript on racial epistemologies in the electronic age, and editing a dynamic new multimedia journal, Vectors Co-organizer of the 1999 conference, Interactive Frictions, Tara is among the founding organizers of Race in Digital Space, a multi-year initiative supported by the Annenberg Center for Communication and the Ford and Rockefeller Foundations.
She is a member of the Academic Advisory Board of the Television Academy Archives, is a core member of HASTAC (Humanities, Arts, Science, and Technology Advanced Collaboratory), has served as an AFI Television Awards juror, and is on the board of several journals. In 2006, she was a recipient of USC's Phi Kappa Phi award for outstanding scholarship.




