technoSpheres: FutureS of Thinking

Submitted by Mark Olson on August 14, 2006 - 2:08pm.

Participants in the 2006 Seminar will explore new ways of thinking about and with technology. The Seminar will include paired conversations between cutting edge technological innovators and experimental humanists, artists and social scientists, around the many issues that engage the human and the technological. The Seminar will also include demonstrations of new technological devices, their applications and scholarly practices. Participants will have opportunities to engage with new digital applications in the context of small-group workshops, large-group social networking exercises and art/technology installations.

For more information, visit the Seminar in Experimental Critical Theory website at UCHRI.

Nebraska Digital Workshop Call for Proposals
The Center for Digital Research in the Humanities (CDRH) at the University of Nebraska-Lincoln (UNL) will host the 3rd annual Nebraska Digital Workshop from Oct. 10-11, 2008. We are seeking proposals for digital presentations by pre-tenure faculty, post-doctoral fellows, and advanced graduate students working in digital humanities.

A Gaming Approach to Conference Panel Moderation: Mixing it Up, Having Some Fun!!!
Reply to Scout's Ideas about the Humanities
I'm sorry I didn't respond to this earlier . . . thought I did but it went wandering in the stratosphere. I found this comment incredibly smart and helpful, Scout. For one thing, the whole reason for the deconstructive (talk about 80's theory!) slash between "In" and "Formation" in the In|Formation Year was to disrupt the idea that information is data and add the Web 2.0 sense that information is also about the complex formations of social networks, actors, agencies, identities, political formations, and on and on. I realize from your pointed comments that I was too much assuming we were all on the same page and at the same place about the need to deconstruct the whole agentless/powerless notion of "information" in the same way that we must such ideas as "humanities," "humanism," "cannon," "masterpiece," "masculinity," "whiteness," "race," "sexuality," "gender," "technology," etc. In other words, "information" too often comes to us as a given, as if it is data, but the whole point of this massively networked In|Formation Year is to say that one doesn't know a think about information or technology unless one understand a host of other relations that support or subordinate. We were play with "in" and "inter" thematics as a way of injecting the concept of "information" with complexities. The other part I did not make overt enough in my talk is how much what HASTAC is doing and SECT tried to do is disrupt the traditional (i.e. traditional since about 1940) territory of the humanities which, I believe, is so restricted, turf-y, and provincial that it necessitates the tiresome "crisis in the humanities" that people keep blabbing about. I believe if humanists actually took seriously what they do and should do--the political work of understanding what humans do and think, in relation to other individuals and societies and in relation to the environment and non-human inhabitants of this earth--then we would not be in crisis but be key to addressing so many issues of the so-called "information [no Derridean/Barthesian slash] age." This is everything from the technologizing of life and death (stem cells, avatars, brain death, immunization, inequitable definitions of "life" and "health" and on and on) to the interrogating (in Haraway's sense) the masculinist, capitalist biases in "science" and the narratives of science. I loved the last morning's theory/performance with Tara McPherson and Guillermo Gomez-Pena, not only for the experimental play, but for the theoretical invention that racism is encoded in moder technology from the forties on and quite literally at the level of the binary code. I'm working on mind/brain narratives in the creation of "learning disabled" and "gifted" as categories and, there too, race, gender, sexuality, nationality, citizenshp are operative at the moment of disciplinary formation, precisely at the level of lexicon (i.e. "code") of what is normative. These, to me, are humanities questions, and questions of in|formation of the kind that motivate me.

Neal's Blog on Saskia Sassen

Submitted by Cathy Davidson on August 29, 2006 - 8:19pm.
Cathy Davidson's picture
Saskia Sassen – August 21, 2006 - The Global City: the political economy of the emergence of global cities, mapping the economics and finance of the global, a sociology of the cultural in relation to the global. Capital / social / human flow between cities. Mapping circulations through cities. The way in which the digital has exacerbated those flows, immigration, capital. - Three propositions: In periods of transition, the formal political system accommodates less and less of the political in its full rich and fuzzy meaning. - Politics doesn’t just disappear, it gets housed, goes into informal

lunenfeld day 8 + a.m. Q&A

Submitted by caitlin on August 24, 2006 - 8:12pm.
Peter Lunenfeld discussing Mediawork Pamphlets -- also the Q & A that relates both to this talk and cathy davidson's talk in this same session

cathy davidson day 8

Submitted by caitlin on August 24, 2006 - 12:42pm.
Day 8: August 23, 2006 Morning Session Thinking at the Interface Cathy Davidson - working/surviving at the interface + thriving at the interface -“the humanities needs you more than you need the humanities” -size matters (think terabytes + broad theoretical horizons)
the humanities is dead (or it soon will be); or, who's your outside?
The project of the humanities as outlined this morning seems to be about information—especially about the space to store it in. This strikes me as the library science project at its most basic. Indeed, if the word “humanist” was replaced with the word “librarian,” the presentations would have been completely coherent to a library science audience. All the dense knots of power in what gets stored, organized, and how are present in both visions. For example, digitizing already very familiar cultural documents like the JFK assassination footage and the Beatles on Ed Sullivan demonstrates a particular set of cultural values through both presence and absence. Library science shares this problem, though I think it perhaps is a bit unfair to equate digitization with organization and access. Let’s not forget generations of archivists and librarians with their pencils and index cards working with limited funds and less than ideal conditions to catalog and keep this material in the first place, even though it is feminized and not very glamorous labor.

categories--are ours hardened?
So, I'm trying to figure out why we're ostensibly on the cutting edge, visionary, the future, etc., but some of our categories seem really static and unexamined. Some examples: Technology. This is perhaps the most bandied about term, and I think it would be good to be very clear and explicit about what we mean. In practice, we mean electrically powered silicon based tools that require vast political and economic infrastructures. I think we could benefit from denaturalizing some of our assumptions about these technologies and seing them situated in those contexts. It also could help us see the non-silicon based technologies that are necessary for their operation. Some of the global effects of these technologies are the need to secure energy supplies because our use of energy is quickly outstripping our supply--this is a lot different from finger pointing at SUVs. It also means treating various countries as toxic waste dumps for the heavy metals from both the production and disposal of computer components. The global infrastructure also guarantees the low cost of electronic gadgets because they are made in places with lax environmental and labor protections and weak social infrastructes. This is not, as Larry Smarr says, because of the cultural differences in these countries insofar as they just don't share our values [!], but as Saskia Sassen reminds us, because of the economic infrustructures including usery (20% or better debt servicing) that allows western nations to dictate the terms of those social infrastructures. Our gadgets do not spring like Athena from the heads of our revered engineers as they repeat the mantra "Moore's law, Moore's law, Moore's law."

Michael Naimark presentation

Submitted by a_mf on August 23, 2006 - 1:50pm.
Michael Naimark Presentation/Demonstration August 22, 2006
Biography
Michael Naimark is a media artist and researcher with over 25 years of experience investigating "place representation." He has worked extensively with field cinematography, interactive systems, and immersive projection. He was instrumental in the founding of several world-renown research labs and his art projects exhibit internationally. Naimark was on the original design team for the MIT Media Laboratory in 1980 and was a founding member of the Atari Research Lab (1982), the Apple Multimedia Lab (1987), and Lucasfilm Interactive (now LucasArts, 1989). He joined Interval Research Corporation, a long-term lab funded by Paul Allen, as it opened in 1992, and worked an additional year after it closed in 2000 on his webcam spinoff venture, Kundi.com. Several patents have been granted for his work. Naimark's art projects are in the permanent collections of the American Museum of the Moving Image in New York, the Exploratorium in San Francisco, and the ZKM | Center for Arts and Media in Karlsruhe, Germany. His 3D interactive installation "Be Now Here," produced by Interval with the cooperation of the UNESCO World Heritage Centre, toured in the ZKM's "Future Cinema" exhibition in 2002 and 2003.

Geert Lovink Keynote

Submitted by Tanner on August 22, 2006 - 5:58pm.
Geert Lovink is the speaker for our second keynote address, the following is a summary of his lecture. Geert founded the Institute for Network Cultures (http://www.networkcultures.org/portal/) in 2004. He has a forthcoming book from Routledge called *Zero Comments: Kernels of Critical Internet Culture*. In this book he has a chapter entitled "Blogging the Nihilist Impulse" which is a study of the blogging phenomenon. A second details what he refers to as "the crisis of media arts" called "The Cool Obscure." In "The Substance of Internet Time" Geert details a failed attempt by Swatch to institute its own form of "internet time." The book ends with studies of four concepts rather than critical essays. These four chapters are entitled, "Updatig Tactical Media," "Theory of Free Cooperation," "Distributed Aesthetics," and Organized Networks."
thinking about games
Gaming isn't my thing. I really enjoyed Thursday's presentation from Tracy Fullerton, especially the thoughtfulness she gave to game design. I'm wondering about game thinkers in the seminar: can Herbert Marcuse's concept of repressive desublimation, Gregory Bateson's work on play and cybernetics, or Georges Bataille's fascination with excess help us dig into gaming worlds differently and/or more deeply? [And is what you do different or the same as game theory of the cold war period which seemed to be about how to figure out if we were winning the arms race?]

Tracy Fullerton, "The Art of Play"

Submitted by Cathy Davidson on August 18, 2006 - 8:33pm.
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Tracy Fullerton, THE ART OF PLAY Most games,60 mph, and game “The Night Journey” with Bill Viola is 5 mph . . . The rewards are looking deeply, slowly, carefully, and inward. In development now. “Cloud” also a game of contemplation and slow accomplishment.. A game to slow down, relax. What is a game? For TF, game is formal elements. Plus dramatic elements---that make us care about the game, affective relations. All the pieces of the car you go “ooooh” about. Plus dynamic system---doesn’t work unless you play it. Since of emergency is key. In play, predictable and unpredictable events happen.

SECT - TechnoSpecies

Submitted by Sha on August 18, 2006 - 4:01pm.
My notes and reactions on Lynn Hershman and Judith Halberstam, speaking on cyborgs, virtual beings, and queer animal narratives.
RESPONSE: Assuming the body is always "under" erasure, why have we entered into a new history? What social/cultural logic has emerged whose consequence is this new erasure? Is this representative of a larger, collective social desire or more a consequence of the proliferation of technological signs, new chains of free-floating signifiers in which the body has become encoded? Briefly resisting any both/and response, it seems to me that
interdisciplinarity and W1D4 talks
OK, so, plenty of very interesting ideas so far, but I have to say that today's talks were electrifying--and I'd guess not just for me given that people stuck around until almost 2:00 to hear out the speakers in the Q&A. I have lots of thoughts so I'll necessarily be partial--in both senses of the term (and with a nod to Haraway)--and I reserve the right to amend and nuance this later. My thoughts just at this moment are about interdisciplinarity, and I think folks in the humanities and the human sciences are better about it than the sciences. I'll just put that out there as a claim. Herman Gray in just a very narrow talk referenced several people who are social scientists and deeply engaged with and invested in science. And he also referenced a 20th century example--ending in 1972--of the Tuskegee syphillis experiments.

Day 4: DISCUSSION AFTER BREAK-OUT GROUPS

Submitted by Cathy Davidson on August 17, 2006 - 4:55pm.
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DISCUSSION AFTER BREAK-OUT GROUPS George Lewis: “Eugenics is a project of preservation.” We need to look at communities who may vary considerably or be diametrically opposed to one another when we are thinking about what shouldor should not be preserved. “He is worried about American habit to worry about process but not care about intent.” He finds better preservation of African American jazz archives in France than in US. Abby Smith: The history of collections is that they are usually begun by fans and then, later, someone comes along and preserves it later, takes it over.

Day 4: ABBY SMITH Presentation:

Submitted by Cathy Davidson on August 17, 2006 - 3:16pm.
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ABBY SMITH Presentation: Smith, Abby. New-Model Scholarship: How Will It Survive? Washington, D.C.: Council on Library and Information Resources, 2003. 49p. $15 (ISBN 1887334998). Also available online from http://www.clir.org/pubs/reports/pub114/pub114.pdf. An article by NEH chair Bruce Cole published in June 2002 in The Wall Street Journal bore the title "Our American Amnesia." It decried the dangers of forgetting history and pointed to a host of signs that our national amnesia is "worsening." The consequences are serious, Cole points out: "Citizens kept ignorant of their history are robbed of the riches of their heritage, and handicapped in their ability to understand and appreciate other cultures." Most thoughtful contemporaries will likely agree with Cole: As a nation, we simply cannot afford to lose any more ground when it comes to memory.

Herman S. Gray's Presentation (Day 4)

Submitted by Cathy Davidson on August 17, 2006 - 2:29pm.
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Herman S. Gray is Professor of Sociology at the University of California, Santa Cruz, and author of Watching Race: Television and the Struggle for Blackness (1995) and Producing Jazz: Theresa Records, Case Study of Jazz Independent (1988). http://www.usc.edu/dept/sociology/Gray%20Abstract.pdf#search=%22Herman%20Gray%22 http://sociology.ucsc.edu/directory/details.php?id=8 Abby Smith http://www.clir.org/pubs/reports/pub126/contents.html http://www.ala.org/ala/acrl/acrlpubs/crljournal/crl2004/backjan2004/smithbookreview.htm HG is concerned with logic of the digital age and the way it maps onto logic of differentiations.
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DAY 4: Herman Gray, Abby Smith, George Lewis: “Cultural Memory in the Digital Age” George Lewis, Edwin H. Case Professor of Music BA philosophy (Yale 1974) George Lewis came to Columbia in 2004, having previously taught at UC San Diego,Mills College, the School of the Art Institute of Chicago, and Simon Fraser University's Contemporary Arts Summer Institute. He has served as music curator for the Kitchen in New York, and has collaborated in the "Interarts Inquiry" and "Integrative Studies Roundtable" at the Center for Black Music Research (Chicago). A member of the Association for the Advancement of Creative Musicians (AACM) since 1971, Lewis studied composition with Muhal Richard Abrams at the AACM School of Music, and trombone with Dean Hey. An active composer, improvisor, performer and computer/installation artist, Lewis has explored electronic and computer music, computer-based multimedia installations, text-sound works, and notated forms. His artistic work is documented in over 120 recordings and has been awarded by a 2002 MacArthur Fellowship, 1999 Cal Arts/Alpert Award in the Arts, and numerous fellowships from the National Endowment for the Arts. His oral history is archived in Yale University's collection of "Major Figures in American Music," and his published articles on music, experimental video, visual art, and cultural studies have appeared in numerous scholarly journals and edited volumes.

Conversation with Craig Calhoun and Larry Smarr

Submitted by Cathy Davidson on August 16, 2006 - 7:44pm.
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Conversation with Craig Calhoun and Larry Smarr Before this conversation gets started, let me add my two cents. Our group has been in small groups in conversation and we’ll now be discussing these issues. My issue: what is the meta-history of technology? By this I mean that, in the history of technology, there are both sides, the hyperbolic and then the dystopics, but also those who say, “hey, nothing has changed, nothing will or ever does.” I am interested in the rhetoric of change, how we count differences and what it means say they are huge and what it means to say they are small? Are there disciplinary tendencies that minimize or maximize transition? Grant opportunities clearly impel change and the new. Maybe sometimes the humanities are compelled to historicize and universalize (sometimes at our peril).

SECT - ReMix Pedagogies

Submitted by Sha on August 16, 2006 - 7:03pm.
ReMix pedagogies offer new models and modes for incorporating digital media and network technologies - here's some notes on Cathy Davidson's talk at technoSpheres, UCI, 16 August 02006.
Cathy Davidson's picture
Conversation with Craig Calhoun and Larry Smarr Before this conversation gets started, let me add my two cents. Our group has been in small groups in conversation and we’ll now be discussing these issues. My issue: what is the meta-history of technology? By this I mean that, in the history of technology, there are both sides, the hyperbolic and then the dystopics, but also those who say, “hey, nothing has changed, nothing will or ever does.” I am interested in the rhetoric of change, how we count differences and what it means say they are huge and what it means to say they are small? Are there disciplinary tendencies that minimize or maximize transition? Grant opportunities clearly impel change and the new. Maybe sometimes the humanities are compelled to historicize and universalize (sometimes at our peril).

Craig Calhoun's Comments

Submitted by Cathy Davidson on August 16, 2006 - 2:30pm.
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Craig Calhoun http://www.ssrc.org/programs/calhoun/ Craig Calhoun has been President of the Social Science Research Council since 1999. He is also University Professor of the Social Sciences at NYU. Under Calhoun's leadership, the SSRC has been reinvigorated as a leader of public social science, research on critical social issues, and support for leading young researchers. He has launched new work on knowledge institutions and innovation, on information technology, on HIV/AIDS and social transformation, and on media, democracy and the public sphere. After receiving his doctorate from Oxford University, Calhoun taught at the University of North Carolina, Chapel Hill from 1977 to 1996. He was Dean of the Graduate School and the founding Director of the University Center for International Studies. He has also taught at the Beijing Foreign Studies University, the Ecole des Hautes Etudes en Sciences Sociales, and the Universities of Asmara, Khartoum, Oslo, and Oxford.
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Day 3 Craig Calhoun and Larry Smarr, Social Networks/Social Movements Day 3 and My Bloggin Fingers Are Getting Tired . . . Leaner, Meaner Blogging today. Larry Smarr http://www.jacobsschool.ucsd.edu/~lsmarr/ Larry Smarr is the founding director of the California Institute for Telecommunications and Information Technology and Harry E. Gruber professor in the Jacobs School's Department of Computer Science and Engineering at UCSD. Smarr is Principal Investigator on the NSF OptIPuter LambdaGrid project and is Co-PI on the NSF LOOKING ocean observatory prototype. As founding director of the National Center for Supercomputing Applications (1985) and the National Computational Science Alliance (1997), Smarr has driven major contributions to the development of the national information infrastructure: the Internet, the Web, the emerging Grid, collaboratories, and scientific visualization. His views have been quoted in Science, Nature, the New York Times, Wall Street Journal, Time, Newsweek, Fortune, and Business Week, and he gives frequent keynote addresses at professional conferences and to popular audiences.
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Tara McPherson, USC, Editor, VECTORS, Journal of Culture and Technology in a Dynamic Vernacular http://www.vectorsjournal.org/

Tara McPherson is an Associate Professor of Gender Studies and Critical Studies in USC’s School of Cinema-TV, where she teaches courses in television, new media, and contemporary popular culture. Before arriving at USC, Dr. McPherson taught film and media studies at MIT. Her writing has appeared in numerous journals, including Camera Obscura, The Velvet Light Trap, Discourse, and Screen, and in edited anthologies such as Race and Cyberspace, Virtual Publics, The Visual Culture Reader 2.0, and Basketball Jones. Her award-winning Reconstructing Dixie: Race, Place and Femininity in the Deep South was recently published by Duke UP (2003), and she is co-editor of the anthology Hop on Pop: The Politics and Pleasures of Popular Culture. She is currently editing or co-editing two anthologies on new technology (one for the MacArthur Foundation), working on a book manuscript on racial epistemologies in the electronic age, and editing a dynamic new multimedia journal, Vectors Co-organizer of the 1999 conference, Interactive Frictions, Tara is among the founding organizers of Race in Digital Space, a multi-year initiative supported by the Annenberg Center for Communication and the Ford and Rockefeller Foundations.

She is a member of the Academic Advisory Board of the Television Academy Archives, is a core member of HASTAC (Humanities, Arts, Science, and Technology Advanced Collaboratory), has served as an AFI Television Awards juror, and is on the board of several journals. In 2006, she was a recipient of USC's Phi Kappa Phi award for outstanding scholarship.

Workshop on Electronic Literature Katherine Hayles

Submitted by Cathy Davidson on August 15, 2006 - 8:31pm.
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Workshop on Electronic Literature Katherine Hayles We broke into groups and looked at several pieces of electronic literature---Richard Holeton’s “Frequently Asked Questions about Hypertext” is an academic parody of the prejudices around hypertext. This was the group I was in but it felt too much like my day job so I moved around the room and spied on other EL, hoping for something with sight and sound. Robert Kendall’s “Faith” is a quite abstract Flash poem with sound, color, and animation. Lauce Olsen’s “10:01” is an intriguing Flash production in a movie theater with mysterious actions (grenades!) and Josh Hartnett too. Emily Short’s “Galatea” is a play with an interactive character whose complex personality defies simple manipulation. And Donna Leishman’s “Deviant: The Possession of Christian Shaw” confounds control by mouse, with a fabulous character (Christian) appearing morosely and depressively and without command. “Deviant” is my fav, gorgeous graphics, vaguely Hiroshi Naka, and full of surprise in the tensions between literal and representational visual elements and abstract ones, plus great sound. Way nice.
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Robert Nideffer GTCL: Tutorial “Virtual Collaboration Portal: v0.9” http://proxy.arts/uci.edu/hass/ Within a week, or maybe a little more, this fantastic collaborative tool should be made available to other groups too! UCHRI will announce the launch when it is ready and we will make sure to announce it on the HASTAC website. Very, very cool. Congratulations and huge kudos to UCHRI! Robert F. Nideffer researches, teaches and publishes in the areas of virtual environments and behavior, interface theory and design, technology and culture and contemporary social theory. He holds an MFA in Computer Arts and a Ph.D. in Sociology. In 1998 he was a Research Specialist in the Department of Computer Science, University of California, Santa Barbara, where he directed User Interface Design and Implementation for the Alexandria Digital Library. Currently he is an Assistant Professor in Studio Art at UC Irvine and Co-PI for a research across disciplines initiative entitled "Online Public Spaces: Multidisciplinary Explorations in Multiuser Environments."

Conversation with Kate Hayles and Scott Fisher

Submitted by Cathy Davidson on August 15, 2006 - 4:10pm.
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Conversation between Kate and Scott, with reflections from our Seminar participants who worked for half an hour in small groups: Conversation begins with a report from each of the working groups: Group 1: Interested in the theoretical, the critical, and the political. Political economy of all of these issues slid away from discussion---what are the costs, human and socially? Group 2: What are the politics of disruption? What happens with forms of emergent subjectivity and pushing the threshold of mediated subjectivity---what if it weren’t efficient? What if it were more anarchic.

Kate Hayles, Session 5 continued

Submitted by Cathy Davidson on August 15, 2006 - 2:25pm.
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And now Kate Hayles http://www.english.ucla.edu/faculty/hayles N. Katherine Hayles is Professor of English at UCLA and a major figure in the study of literature and science in the 20th and 21st centuries. She is the author of How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics (1999) and The Cosmic Web: Scientific Field Models and Literary Strategies in the Twentieth Century (1984). Provocations: Some purposes of literature----Repressentation of reality? Or revealing what we know, but don’t know we know by connecting embodied practice with explicit articulation.
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SESSION 5: SCOTT FISHER and KATHERINE HAYLES “New Ways of Knowing”: A Conversation with Google Jockeying from Anne Balsamo. Lots of visuals on storytelling---make sure to view the webcast! http://interactive.usc.edu/ http://www.itofisher.com/sfisher/\ Scott S. Fisher is a media artist and interaction designer whose work focuses primarily on interactive environments and technologies of presence. Known for his pioneering work in the field of Virtual Reality at NASA, Fisher's media industry experience also includes Atari, Paramount, and his own companies Telepresence Research and Telepresence Media. A graduate of MIT's Architecture Machine Group (now Media Lab), he has taught at MIT, UCLA, UCSD, and is a Project Professor at Keio University in Japan and Chair of the Interactive Media Division in the School of Cinema-Television at the University of Southern California. His work has been internationally recognized through numerous invited presentations, professional publications and in the popular media. In addition, he has been an Artist in Residence at MIT's Center for Advanced Visual Studies and his stereoscopic imagery and artwork has been exhibited in the US, Japan and Europe.
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SESSION THREE: KEYNOTE ADDRESS John Seely Brown and Doug Thomas, “The Play of Imagination” Here are my notes on JSB’s talk on collaborative learning communities and remix possibilities in the life in the digital age—building, tinkering, learning and sharing. I’ve added some comments of my own, plus some urls that follow out the references in each talk and lead to more information on these topics. Consuming/producing---(presumption, in theory speak). Remix & Mashup: creative tinkering and the play of imagination. Modding . . . Remixing Matrix as The Narutrix. .. parody or advertisement? Take a look:

Session II at SECT: Anne Balsamo is Designing Culture

Submitted by Cathy Davidson on August 14, 2006 - 3:10pm.
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SESSION TOOOOOO…. Notes on Anne Balsamo’s presentation. Anne Balsamo is now telling us about her amazing new book Designing Culture: A Work of the Technological Imagination. She has promised us that it will be done in one month. Yeah! It’s great. Her idea is you have to take culture seriously in the process of technological development, not later, as an afterthought. Hot idea, the gendering of technology (“It’s mother was a tv, it’s father was a monitor!”) explores underlying assumptions of technological reproduction. Relays between technological and ideological. Her argument is that, as a theory-driven cultural theorist, her relationship to technology is different than those who apply theory to technology after its genesis. She uses several examples from her past to explicate the role of ideas which are not patentable. What happens if we rethink the humanities in terms of a renovated concept of the human sciences, where we do not simply resuscitate an older notion of “scientism” as an add-on to humanism, but really rethinking the deep structures of both scientific proof and humanist interpretation as mediums of thought and innovation? It is interesting to think of how “human sciences” renovates “science” as an ideological construct, with certain forms of proof and demonstration, and not simply thinking of “human science” as a way of renovating the “humanities.” If the flow can be engineered to go up and down the river, and across its various drifts, what then can be accomplished in revisioning the futures of thinking? Can we make theory in the process of building something? Is an object a theory? What is the boundary between the material and the theoretical, invention and innovation, creativity and invention?
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I am blogging from a room on the third floor of the Ad building at UC Irvine, home of the University of California's HUmanities Research Institute (UCHRI). It is the opening session of SECT (Seminar in Experimental Critical Theory), a two-week long intensive session on "technoSpheres: the futureS of thinking," David Theo Goldberg, Director of UCR and co-convener, just launched the Seminar and Anne Balsamo, of the Institute for Multimedia Literacy at the University of Southern California and technohumagenius and co-convener of technoSpheres is having us begin with a twelve-step exercise . . . meeting three people, introducing one another, in a few phrases, here we all are: a very interesting mix of fields, topics, expertise. Topical interests: Death, archives, mobile imaging, terrorism, deregulation, robots, gaming (beta-testers!), AI,virtue, HCI, music (someone here is planning something interesting with all our MP3 players), electric publishing, customized internet radio sites like Pandora, anime, lesbian pornography, e-learning, social justice, grid technology, computational biology,new media cyberinfrastrucure, minerals and measures of frequency (!), dead media, new media, future media, arsElectronica, mobile robots, history of Arabic script (ms to print to digital technology), factory/school/performance/pedagogy, borders and biometrics, national ID cards, border control, feminism, Haiti, sport and Second Life, World Cup in Germany (maybe not a research field, but maybe so), cultural construction of computer viruses, biometrics, digital media arts, race and cinema, surveillance and Free Speech movement, multimedia networks, the technology industry, Lacan/Hegel/ robotics, mental health and sexuality on internet, difficult narratives in electronic literature, language transmission in children (multimedia art), composing, psychoanalysis, capitalism and cybernetic space, World of Warcraft, anthropology of the contemporary, epistemology of intelligence-gathering, drug enforcement, photography, visualizations of globality, social theory, history of science, time and modern Japan, the possibility of multimedia history, visual archives of the past and alternative histories, Medieval Ottomon manuscripts and alternative interfaces, interactive design, representations of artificial women from middle ages to Enlightenment and documentary . . . plus Happy Birthday, Allison!